

Your work can give a memory
somewhere to live.
Meet the named artists and original work already in the collection, learn how one trained Memorial & Life Artist handles embellishment, and see where another artist’s practice could belong.
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Bring your own
way of seeing.
The collection begins with original artists whose names and distinct ways of seeing remain attached to their work. It includes marine art by Wyland®, mixed-media work by Tamara Bolger and original paintings by artists working across different subjects and styles.
The work does not need to begin as memorial art. It may begin with a landscape, an animal, a place or a feeling that speaks to someone and the life they remember.
You do not need to arrive with a finished idea or a background in funeral service.
Art as individual as the lives it can hold.
67 paintings. Eight original artists. Distinct styles, subjects and ways of seeing, so families can begin with art that genuinely speaks to them.
Each original work begins with the artist named here.
Explore all paintings


Humpback with Newborn

Two in the Sea

Kiss of the Sea Turtles

Pacific Northwest Waters

Wish You Were Here

Mist Raven

Spirit Watcher

Watching Over You

Woodland Stag

Autumn Fox

Guardian of the Falls

Forest Keeper

Hope

A Walk in the Park

The Iris Garden

Exploding Tulip

Late Afternoon Winter Sun

Peace

Sydenham Laneway

Pumpkin Patch

Autumn Moose

Eagle Nebula

I Did it My Way

Great Horned Owl

Into the Mystic

Into the Sea

My 3 Friends

My Deer

My Deer Family

Octopus

Octopus Garden

Sunset

Watch Your Back

Homeward Bound

Falling Light

Viridian Flow

Where Water Finds Its Way

The Rhythm of Falling Water

A Meadow Scene

Sunlight Drift

Light Resting on Stone

Gentle Pull of Water

My Light Expands

Torrent

Fall Into the Wind

Spectral Falls

Monopoly Man — Titanic Success

Echo of the Dutch Muse

Angelic — Etched in Time

Baroque Leo

Guardiano Bianco

Ascending Chorus

Ethereal Gaze

Love and Distraction

Off the Beaten Path

Four Ladies Grazing

Five Sisters

No Hate

Leap Into

Jam Session

Carpe Diem

Heartstrings Unwoven

Wish You Were Here

Embracing the Deep

Through the Wood

Jellyfish
Follow a documented commission through Tamara Bolger’s own studio photographs and journal entries.
Something personal
to return to.
Art can hold the feeling of a place, the energy of a person or a story a family wants to keep telling. It gives memory a visible place in everyday life, something to live with, speak about and carry forward.
The work is not there simply to fill a collection. It can help a conversation begin, and help someone recognize a possibility they had not known how to name.


A practice of
compassion.
Each original work remains attributed to the artist who created it. When a family chooses memorial embellishment, that sensitive step is carried out by one trained Memorial & Life Artist, Tamara Bolger, rather than by every artist in the collection.
The work takes place in one secure location. From receipt through return, the process must account for how cremated remains are received, handled, tracked and incorporated into the finished piece.

A collaboration should respect the work and
the people behind it.
People’s stories are personal. Creative work has value. Before a collaboration goes ahead, its purpose, permissions, use of the work, credit, compensation and practical expectations need to be clear.
Reaching out is simply a place to begin. It does not grant permission to publish your work or someone else’s story, and it does not commit either side to a project.
Different practices.
Different possibilities.
The shape of a collaboration depends on the work, the artist and the reason for bringing it into the Collective.
Original work
Existing work may become part of a thoughtfully selected collection when there is a natural connection to remembrance, identity, place or story.
Commissioned work
Some families may want to explore an original piece shaped around a person, memory or place. The artist, approach and expectations are discussed before anything begins.
Shared preparation
Where a collaboration calls for unfamiliar processes, we provide guidance so the work is approached with care, clarity and respect for everyone involved.
A collection that feels local
As the collection grows, we want it to include artists from the communities and countries the Collective serves, rather than one roster repeated everywhere.
A few useful
answers.
Does my work need to involve cremated remains?
No. We are interested in work that helps people connect with memory, identity, place and story. When a family chooses memorial embellishment, that separate step is carried out by Tamara Bolger, the trained Memorial & Life Artist.
Do I need experience in the funeral profession?
No. You may already work with remembrance, or you may simply see a thoughtful connection between your existing practice and the stories people want to carry forward.
Does sending a portfolio mean my work will be used?
No. Reaching out is only a place to begin. It does not give permission to publish or use your work, and it does not commit either side to a project.
Tell us about your practice
and what draws you here.
Share what you make, how you work and what draws you here. You can include a portfolio link in your message. Reaching out does not grant permission to use your work or commit either side to a project.
Connect with us